- Публикувана: 9 дек. 2010, 16:08 ч.
- Последно мнение: 5 ян. 2011, 23:40 ч.
Халит Ергенч и новата продукция "Великолепният Век" ( Muhteşem Yüzyıl) тема 3
Equestrian portrait of Süleyman
• Title/name : Equestrian portrait of Süleyman
• Production place : Turkey
• Date / period : Circa 1560
• Materials and techniques : Paper; pigments and gold
• Conservation town : Paris
• Conservation place : national Library of France
• Inventory number : Part of a collection of 55 folios from various sources, formed in 1750 as No. 1657.
Süleyman is represented on horseback, dressed in a green robe worn over a red tunic with an anthracite grey, sleeveless kaftan lined in fur. He wears a large turban with feathers and fringes. The details of his ageing and stooped, bending body, his lined face and drawn features are meticulously rendered; so too is the representation of the richly decorated horse with its upright bearing and deliberate step. It is the portrait of an old man: Süleyman led his troops on horseback to Hungary where he died at Szigetvar on seventh September, 1566, on the eve of the battle which gave the Ottomans victory over the Holy Roman Emperor, Maximilian II.
The development of portraiture in Ottoman art began at the end of the fifteenth century under the reign of Mehmet II (r. 1451-1481). There are several extant portraits of Süleyman by Turkish and Western painters. The genre also developed in Iran and India, and became universal in the seventeenth century.
In Western art of the Renaissance, the equestrian portrait, inspired by classical statuary (of which the statue of Marcus Aurelius is probably the principal model) was reworked with a political agenda. The condottiere Bartolomeo Colleoni had his portrait executed by the sculptor Andrea del Verrochio (1479-1483), and Charles V and François I, the eminent political interlocutors of Süleyman, commissioned portraits of themselves by the greatest painters of the period.
The equestrian figure was extremely popular in Islamic arts. The Sasanian civilisation, whose legacy was widely disseminated in Islamic countries, gave a significant place to this theme which is closely connected to the iconography of power. The Iranian ruler, Khosrow II (r. 590-628), had made a full-scale portrait of himself on horseback in the round. The equestrian subject is connected to the themes of hunting and war, the archetypal princely activities, practised by Muslim rulers in all cultural and geographic areas covered by the new civilisation. It appears widely in various genres of the decorative arts: ceramics, wood, ivory, miniatures. Horses occupy a special place in Islamic tradition. There are numerous treatises on the equestrian arts and they are the subject of a variety of artistic works.
The naturalism of representations and the pursuit of veracity characterise Ottoman painting from the middle of the sixteenth century. The Pir i-Re’is atlas, the views of besieged towns, the albums chronicling great courtly festivities, all demonstrate the conception of painting being in the service of historical narrative.
This portrait gives us a precise and detailed account of the dress of the Sultan, with a sobriety which characterised the period following the death of his favourite spouse, Roxelana, in 1558. Previously, Süleyman the Magnificent was renowned in the West for the splendour of his dress. The opulent ornaments of his horse, painstakingly executed, are faithful representations of extant pieces. The precision is such that one can recognise in the central medallion composition and cornerpieces of the saddle rug, imagery employed in bookbinding of the period.
Süleyman’s successors, including his son Selim II also commissioned equestrian portraits of themselves.
Момчета, искам да ви благодаря за желанията и мислите на сърцето си !
A big thank you and to you all, girls, my big
!!!!!! Thank you for your kind messages !
In this special day for we all fans of Halit and Berguzar, I wish you a wonderful evening ! it will be so interesting to read your opinions after the first episode. I'm glad to be here, with you !
To you all and your families, wherever you are,
I wish you what I wish to myself : may 2011 brings us a good health, many joy, love and peace !
Lets keep smile and hope in a better future !
Ve Muhteşem Yüzyıl Başlıyor...
Eklenme Zamanı :Bugün, 11:36 | Bu Haber 466 kez okundu.
Uzun bir hazırlık aşamasından sonra yayına girmeye hazır olan Muhteşem Yüzyıl, bu akşam ilk bölümüyle saat 20:00'da Show Tv ekranlarında olacak.
Tim's Production tarafından Show Tv'ye hazırlanan Muhteşem Yüzyıl'ın yabancı dizi The Tudors'un afişi ve konusuyla benzerlikleri dikkat çekiyor.
http://www.dizifilm.com/haberler/ve-muhtesem-yuzyil-basliyor-8796.html
Привет на всички ! 
Направо е късмет, че не улучих профилактиката, както става в последните 2 дни !
stereo_hz, голямо благодаря за превода на трейлъра ! 
Много се радвам, че още хора се включват Дано имаме късмет и да можем да гледаме без проблеми серията 
С такова нетърпение очаквахме 05.01 и ето, че дойде.
Очаквам супер начало, да ни вземат акъла още с първа серия, като съдя по трейлърите, колко са пищни и грандиозни !
Miki23
Направо е късмет, че не улучих профилактиката, както става в последните 2 дни !
stereo_hz, голямо благодаря за превода на трейлъра !
Много се радвам, че още хора се включват
Дано имаме късмет и да можем да гледаме без проблеми серията С такова нетърпение очаквахме 05.01 и ето, че дойде.
Очаквам супер начало, да ни вземат акъла още с първа серия, като съдя по трейлърите, колко са пищни и грандиозни ! Miki23 
Според рекламата на Show TV за Великолепният век, която видях преди 10 мин. филмът довечера наистина започва в 19.00! 
Явно трябва да се внимава...
Явно трябва да се внимава...
В 19 ч са новините .
НАДЕ
много подходяща двойка са- чудесни колажи 
