Бумър, може да ми се смееш, но ми е непонятно защо аутване на Тайлър би довело до загуби. Какво общо има сексуалността с продукта, който продава?
Не е като да гони политическа кариера.
Не е като да гони политическа кариера.
- Публикувана: 15 дек. 2014, 21:17 ч.
- Последно мнение: 23 юли 2015, 22:10 ч.
Over the Rainbow - 2
Основната и публика на Тайчето все още идва от кънтрито. Сега диверсифицира с новия албум, но още не е достатъчно. Бионсе и Риана примерно продават повече от Тай извън Щатите, но в Щатите Тай ги води.
Та купувачите и са тийн-хлапета, основно девойчета от библейския пояс. На тези хлапета родителите им дават пари за албумите, за концертите, за ти-шъртките и т.н.
Как мислиш тези родители, wasp-ове, които ходят на църква всяка неделя, ще дават ли пари за продуктите на гей-бранд?
Преди 6-7-8 години за първи път се аутна кънтри-звезда, Чели Райт, имаща няколко топ хита в кънтри-класациите вкл.и #1.
След аутването тя повече не е имала участие в Нешвил и за Нешвилски брандове. Няма и повече хитове.
Скандалчето с кънтри-радиостанциите, които не искали да пускат Girl crush беше преди 3 месеца.
Та купувачите и са тийн-хлапета, основно девойчета от библейския пояс. На тези хлапета родителите им дават пари за албумите, за концертите, за ти-шъртките и т.н.
Как мислиш тези родители, wasp-ове, които ходят на църква всяка неделя, ще дават ли пари за продуктите на гей-бранд?
Преди 6-7-8 години за първи път се аутна кънтри-звезда, Чели Райт, имаща няколко топ хита в кънтри-класациите вкл.и #1.
След аутването тя повече не е имала участие в Нешвил и за Нешвилски брандове. Няма и повече хитове.
Скандалчето с кънтри-радиостанциите, които не искали да пускат Girl crush беше преди 3 месеца.
ДА отбележа историческия резултат от гласуването в Ирландия за равенство на браковете
http://www.thenewcivilrightsmovement.com/uncucumbered/ireland_ma … e?recruiter_id=17
Коментар от Туитър,
в Корк и небето гласува с ДА
http://www.thenewcivilrightsmovement.com/uncucumbered/ireland_ma … e?recruiter_id=17
Коментар от Туитър,
в Корк и небето гласува с ДА
Основната и публика на Тайчето все още идва от кънтрито. Сега диверсифицира с новия албум, но още не е достатъчно. Бионсе и Риана примерно продават повече от Тай извън Щатите, но в Щатите Тай ги води.
Та купувачите и са тийн-хлапета, основно девойчета от библейския пояс. На тези хлапета родителите им дават пари за албумите, за концертите, за ти-шъртките и т.н.
Как мислиш тези родители, wasp-ове, които ходят на църква всяка неделя, ще дават ли пари за продуктите на гей-бранд?
Преди 6-7-8 години за първи път се аутна кънтри-звезда, Чели Райт, имаща няколко топ хита в кънтри-класациите вкл.и #1.
След аутването тя повече не е имала участие в Нешвил и за Нешвилски брандове. Няма и повече хитове.
Скандалчето с кънтри-радиостанциите, които не искали да пускат Girl crush беше преди 3 месеца.
Та купувачите и са тийн-хлапета, основно девойчета от библейския пояс. На тези хлапета родителите им дават пари за албумите, за концертите, за ти-шъртките и т.н.
Как мислиш тези родители, wasp-ове, които ходят на църква всяка неделя, ще дават ли пари за продуктите на гей-бранд?
Преди 6-7-8 години за първи път се аутна кънтри-звезда, Чели Райт, имаща няколко топ хита в кънтри-класациите вкл.и #1.
След аутването тя повече не е имала участие в Нешвил и за Нешвилски брандове. Няма и повече хитове.
Скандалчето с кънтри-радиостанциите, които не искали да пускат Girl crush беше преди 3 месеца.
Интересна ситуация около моите момчета, но още се ориентирам в обстановката и после ще пиша предположения.
Отново малко ПР сценки от Тай и Калвин, препоръчвам на всеки да опита прегръдка със свити юмруци... чувството е ужасно https://www.youtube.com/watch?v=ItIYrQjvfgY
Криста ето за това ти говоря
Криста ето за това ти говоря
Скрит текст: 
Ясно, ясно. Тя публиката ѝ като е 13-15 годишна, ще се съобразява. От друга страна пък, кънтри певицата, която даде за пример, едва ли е имала детска публика, но ето резултата. Странно и смешно ми е как ще спреш да купуваш певец, щото бил гей.
Ирландците и те трошат стереотипи.
Ирландците и те трошат стереотипи.
Ще спрат не само да купуват албуми на ПЕВЦИТЕ, а и да ходят на филмите, да гледат сериалите на АКТЬОРИТЕ, СПОРТИСТИТЕ да получават спонсорски договори и т.н.
В по-голямата част от случаите хората и компаниите се чувстват много по-комфортно публиката да може да се идентифицира с рекламиращия продукта
Малко примерчета за късата памет на публиката, това във връзка с Брадли, Тай, Джерард ...
Много детайлни обяснения на схемите и причините в интервютата СЛЕД, особено в това на Торп
ПРЕДИ OUT-ването Сашето и Елън
СЛЕД OUT-ването Елън с блондинка
ПРЕДИ OUT-ването Уентуърт
СЛЕД OUT-ването Уентуърт
В по-голямата част от случаите хората и компаниите се чувстват много по-комфортно публиката да може да се идентифицира с рекламиращия продукта
Малко примерчета за късата памет на публиката, това във връзка с Брадли, Тай, Джерард ...
Много детайлни обяснения на схемите и причините в интервютата СЛЕД, особено в това на Торп
ПРЕДИ OUT-ването Сашето и Елън
Скрит текст: 
СЛЕД OUT-ването Елън с блондинка
Скрит текст: 
ПРЕДИ OUT-ването Уентуърт
Скрит текст: 
СЛЕД OUT-ването Уентуърт
Скрит текст: 
Ще спрат не само да купуват албуми на ПЕВЦИТЕ, а и да ходят на филмите, да гледат сериалите на АКТЬОРИТЕ, СПОРТИСТИТЕ да получават спонсорски договори и т.н.
Съвсем първосигналният ми коментар е, че ако достатъчно много хора излязат на светло, тази мярка няма да има толкова голяма тежест.
Но пък знам ли.. може би не е толкова просто.
Напълно съм съгласна с теб, но тогава на мен лично ще ми се загуби тръпката да отгатвам кой е и кой не е 
Попаднах в Тъмблр на великолепен анализ на песента на Тай OUT OF THE WOODS, направен от фенка на Хари Стайлс. Изключителна работа и поредното доказателство как масата фенове не виждат това което не искат да видят .
Попаднах в Тъмблр на великолепен анализ на песента на Тай OUT OF THE WOODS, направен от фенка на Хари Стайлс. Изключителна работа и поредното доказателство как масата фенове не виждат това което не искат да видят .
Скрит текст:
OUT OF THE WOODS: A PR/MUTUAL BEARDING ANALYSIS
I’m going to join the unpopular opinion side of the fandom and admit that I really like “Out of the Woods.” It has a haunting passion to it, though not a romantic passion, I think. I also like the 80s synth-rock riffing, a bit reminiscent of some other music I’ve been listening to lately. And out of all the songs she’s supposedly written about Harry, this is the only one that actually feels genuine.
I admit I don’t follow her personal life that closely (other than its brief intersection with Harry), but I think there’s certainly plenty of cause to suspect that she might also be trapped in a similar closet. I’m ill and bored, so I decided to put on my “I was an English major before I decided I enjoyed buying groceries” hat and do my own line-by-line interpretation of Ms. Swift’s new song with a mutual bearding lens.
Looking at it now
It all seems so simple
These first two lines introduce the perspective of the song – she’s thinking about this experience from a distance, with new clarity. It answers the question everyone’s been asking: why are you still talking about this incredibly awkward relationship two years later, Taylor? It’s because she’s sharing a newer (possibly truer) perspective on it. This is something that should have been simple: a straightforward contract, a bit of playacting, nothing either of them hadn’t done before. Right?
We were lying on your couch
This may be a literal memory, a friendly hang-out to get to know each other before the contracts were signed. But it also pings a little bit of a casting couch, an audition of sorts.
I remember
You took a Polaroid of us
Also could be literal – Harry had his Polaroid camera then, if I’m recalling correctly, and that could have been a playful icebreaker. It also could be continuing the audition theme, taking a metaphorical snapshot of them, test film to see if they would look good together, if they would capture the public attention the way they needed to.
Then discovered
The rest of the world was black and white
But we were in screaming color
These lines set them apart from the rest of the world, which is rigid, conservative, BINARY, all the same. Screaming color… like a rainbow, perhaps?
The implied discovery makes me think maybe Taylor and Harry themselves didn’t know at first that they were both in the same closet. Maybe at first it was just a PR date, but then they realized they had a common motivation. Pure speculation, but I wonder if that might be what made Harry agree to it, in the end?
And I remember thinking…
Are we out of the woods yet?
Are we in the clear yet?
In the clear yet, good.
So as earlybirdlouis pointed out, this is a pretty obvious closet metaphor. Are we in the clear? Are we safe? Did it work? Did we fool the world again? Is our mutual secret still hidden?
Looking at it now
Last December,
The first really obvious reference to Harry, since their relationship was at its peak publicity in December 2012, and an interesting one to choose, given how much attention and derision his “December girlfriend” habit started getting this past year. It’s like she’s giving us a little poke to remind us about that shadiness (and her own December boyfriends).
we were built to fall apart
Then fall back together
They “were built,” implying the relationship was an artificial construct. They didn’t build the relationship; someone else did. And they built it solely with the purpose of ending it—and thus perpetuating it. After all, we’ve seen Harry and Taylor “fall back together” in little waves of publicity over and over and over throughout the last two years. Their teams have certainly gotten their money’s worth out of it, from the awards shows, the cheeky articles, the album publicity, all the speculation and even the jokes. That longevity may have been planned (and contracted) from the beginning.
Your necklace hanging from my neck
Just in case you didn’t get that it was about Harry: this song is about Harry. Harry Styles. You remember him, right?
The night we couldn’t quite forget
When we decided
To move the furniture so we could dance
Baby, like we stood a chance
Again, could be a literal memory, but could also be symbolic of them making the choice to enter into this arrangement. Dance = performance. Like we stood a chance = like this could possibly be a real long-term relationship. It’s also just a really pretty lyric.
Two paper airplanes flying, flying…
Hey, remember that necklace again? Did we mention this song was about Harry Styles? We might not have been clear.
But this is also a really cool metaphor. She’s drawing another parallel between them. They are made the same. A paper airplane is a lovely, scary metaphor for a young person in the entertainment industry—you can soar so high, but one errant gust of wind can bring you down and crumple you up. When you think of a young queer person in the entertainment industry, that symbolic fragility becomes even more poignant. They’re both flying high, just trying to stay on course in the face of all that could bring them down.
Remember when you hit the brakes too soon
Twenty stitches in a hospital room
So again we have what could be (and is the most likely to be) a literal memory, and another whack upside the head to make sure there is absolutely no mistake that THIS SONG IS ABOUT HARRY STYLES because she’s made sure to remind the media about their snowmobiling accident and Harry’s injury.
This can also represent Harry hitting the brakes on their relationship, wanting to cut it short because it was hurting him.
When you started crying
Baby, I did too
This just breaks my heart, because it doesn’t even matter whether Harry was crying because of the accident or because he just didn’t want to be doing this. It’s just awful to think of him far away from the ones he loves, trapped and hurting with strangers. And she’s not tearing him down for this—she’s empathizing. Maybe she shares his feelings or maybe she just feels bad for him.
But when the sun came up
I was looking at you
To me, this line feels like she’s seeing him for the first time, or maybe recognizing the truth of the situation and how it’s hurting him. How it’s not as simple as it was supposed to be, and she has to see him as a person, not just a business partner or tool.
Remember when we couldn’t take the heat
I walked out, I said “I’m setting you free”
The culmination of the story—the early end of the contract (which according to the gossip mill was originally supposed to go through February) because neither of them can go on with it any longer. Harry can’t go on hurting his actual partner, and Taylor can’t deal with his misery. So she “sets him free.” That’s not the language of a tumultuous romance. That’s the language of someone bound to an agreement they’re desperate to get out of.
But the monsters turned out to be just trees
When the sun came up
You were looking at me.
These last few lines are a really interesting way to end the story. The implication is that the things they (or at least he) were scared of didn’t really have any power in the light of day. The monsters here could be the fears of the closet, the nightmares of being exposed, and realizing that in truth, they shouldn’t be so afraid of that after all.
Or it might be about the end of the relationship itself and any hostility there might have been between them. Perhaps she’s saying that she wasn’t the monster in this story, and Harry eventually realized that when he woke up from the nightmare and saw things more clearly.
So while the marketing is exploitative and icky as usual, the song itself could possibly be the one honest introspective statement we’ve ever gotten on the Haylor debacle.
I’m going to join the unpopular opinion side of the fandom and admit that I really like “Out of the Woods.” It has a haunting passion to it, though not a romantic passion, I think. I also like the 80s synth-rock riffing, a bit reminiscent of some other music I’ve been listening to lately. And out of all the songs she’s supposedly written about Harry, this is the only one that actually feels genuine.
I admit I don’t follow her personal life that closely (other than its brief intersection with Harry), but I think there’s certainly plenty of cause to suspect that she might also be trapped in a similar closet. I’m ill and bored, so I decided to put on my “I was an English major before I decided I enjoyed buying groceries” hat and do my own line-by-line interpretation of Ms. Swift’s new song with a mutual bearding lens.
Looking at it now
It all seems so simple
These first two lines introduce the perspective of the song – she’s thinking about this experience from a distance, with new clarity. It answers the question everyone’s been asking: why are you still talking about this incredibly awkward relationship two years later, Taylor? It’s because she’s sharing a newer (possibly truer) perspective on it. This is something that should have been simple: a straightforward contract, a bit of playacting, nothing either of them hadn’t done before. Right?
We were lying on your couch
This may be a literal memory, a friendly hang-out to get to know each other before the contracts were signed. But it also pings a little bit of a casting couch, an audition of sorts.
I remember
You took a Polaroid of us
Also could be literal – Harry had his Polaroid camera then, if I’m recalling correctly, and that could have been a playful icebreaker. It also could be continuing the audition theme, taking a metaphorical snapshot of them, test film to see if they would look good together, if they would capture the public attention the way they needed to.
Then discovered
The rest of the world was black and white
But we were in screaming color
These lines set them apart from the rest of the world, which is rigid, conservative, BINARY, all the same. Screaming color… like a rainbow, perhaps?
The implied discovery makes me think maybe Taylor and Harry themselves didn’t know at first that they were both in the same closet. Maybe at first it was just a PR date, but then they realized they had a common motivation. Pure speculation, but I wonder if that might be what made Harry agree to it, in the end?
And I remember thinking…
Are we out of the woods yet?
Are we in the clear yet?
In the clear yet, good.
So as earlybirdlouis pointed out, this is a pretty obvious closet metaphor. Are we in the clear? Are we safe? Did it work? Did we fool the world again? Is our mutual secret still hidden?
Looking at it now
Last December,
The first really obvious reference to Harry, since their relationship was at its peak publicity in December 2012, and an interesting one to choose, given how much attention and derision his “December girlfriend” habit started getting this past year. It’s like she’s giving us a little poke to remind us about that shadiness (and her own December boyfriends).
we were built to fall apart
Then fall back together
They “were built,” implying the relationship was an artificial construct. They didn’t build the relationship; someone else did. And they built it solely with the purpose of ending it—and thus perpetuating it. After all, we’ve seen Harry and Taylor “fall back together” in little waves of publicity over and over and over throughout the last two years. Their teams have certainly gotten their money’s worth out of it, from the awards shows, the cheeky articles, the album publicity, all the speculation and even the jokes. That longevity may have been planned (and contracted) from the beginning.
Your necklace hanging from my neck
Just in case you didn’t get that it was about Harry: this song is about Harry. Harry Styles. You remember him, right?
The night we couldn’t quite forget
When we decided
To move the furniture so we could dance
Baby, like we stood a chance
Again, could be a literal memory, but could also be symbolic of them making the choice to enter into this arrangement. Dance = performance. Like we stood a chance = like this could possibly be a real long-term relationship. It’s also just a really pretty lyric.
Two paper airplanes flying, flying…
Hey, remember that necklace again? Did we mention this song was about Harry Styles? We might not have been clear.
But this is also a really cool metaphor. She’s drawing another parallel between them. They are made the same. A paper airplane is a lovely, scary metaphor for a young person in the entertainment industry—you can soar so high, but one errant gust of wind can bring you down and crumple you up. When you think of a young queer person in the entertainment industry, that symbolic fragility becomes even more poignant. They’re both flying high, just trying to stay on course in the face of all that could bring them down.
Remember when you hit the brakes too soon
Twenty stitches in a hospital room
So again we have what could be (and is the most likely to be) a literal memory, and another whack upside the head to make sure there is absolutely no mistake that THIS SONG IS ABOUT HARRY STYLES because she’s made sure to remind the media about their snowmobiling accident and Harry’s injury.
This can also represent Harry hitting the brakes on their relationship, wanting to cut it short because it was hurting him.
When you started crying
Baby, I did too
This just breaks my heart, because it doesn’t even matter whether Harry was crying because of the accident or because he just didn’t want to be doing this. It’s just awful to think of him far away from the ones he loves, trapped and hurting with strangers. And she’s not tearing him down for this—she’s empathizing. Maybe she shares his feelings or maybe she just feels bad for him.
But when the sun came up
I was looking at you
To me, this line feels like she’s seeing him for the first time, or maybe recognizing the truth of the situation and how it’s hurting him. How it’s not as simple as it was supposed to be, and she has to see him as a person, not just a business partner or tool.
Remember when we couldn’t take the heat
I walked out, I said “I’m setting you free”
The culmination of the story—the early end of the contract (which according to the gossip mill was originally supposed to go through February) because neither of them can go on with it any longer. Harry can’t go on hurting his actual partner, and Taylor can’t deal with his misery. So she “sets him free.” That’s not the language of a tumultuous romance. That’s the language of someone bound to an agreement they’re desperate to get out of.
But the monsters turned out to be just trees
When the sun came up
You were looking at me.
These last few lines are a really interesting way to end the story. The implication is that the things they (or at least he) were scared of didn’t really have any power in the light of day. The monsters here could be the fears of the closet, the nightmares of being exposed, and realizing that in truth, they shouldn’t be so afraid of that after all.
Or it might be about the end of the relationship itself and any hostility there might have been between them. Perhaps she’s saying that she wasn’t the monster in this story, and Harry eventually realized that when he woke up from the nightmare and saw things more clearly.
So while the marketing is exploitative and icky as usual, the song itself could possibly be the one honest introspective statement we’ve ever gotten on the Haylor debacle.
Ей тази песен, Хайлър са имали инцидент със моторна шейна зимата на 2012.
Малко музика от ТайТай в Шоуто на Елън (песента е посветена на Хари),
съавтор е Джак Антоноф, онзи дето я out-на без да иска през юли http://dirtytaylorswift.tumblr.com/post/92445134566/jack-antonoff-on-taylor-swift
съавтор е Джак Антоноф, онзи дето я out-на без да иска през юли http://dirtytaylorswift.tumblr.com/post/92445134566/jack-antonoff-on-taylor-swift
Songes ето го сумирано от Tumblr как протича кастинг процеса
Скрит текст:
What I know tho is that since October of 2014 they’ve been trying to hook up Taylor with different guys.
Guy #1: Matt Healy. It was well planned but didn’t work anyway cause yah know “the kaylor kiss” in their concert. Anyway, remember that pic of Matty in his concert wearing the 1989 shirt? Ever wonder who gave him that? Would it be believable to say Matty, with all his busy schedule and tours (and partying of course), would spare a minute of his time to think and bother himself to find a 1989 shirt? That’s bullshit, right? It must have been given by someone and perhaps he was asked to wear it in his show…you know just to make a buzz that him and Taylor were a thing. Now I cannot confirm tho if it was Taylor’s team but who else? And then a few days or week later Taylor went to his show in LA and wore a 1975 shirt the morning after. Wasn’t that sound so well orchestrated? But like I’ve said it didn’t work cause they let Taylor bring Karlie at the NYC show of 1975 where they just showed off the gayest “BFFs” interaction ever documented.
Guy #2: Hozier. They were already so desperate this time to make a damage control after the 1975 concert and the kissing and dating rumors swirling around. After the VSFS2014, Taylor and Hozier were spotted going to a club in LA twice! But that too didn’t work because let’s be real there’s no chemistry between him and Taylor. Zero sexual tension at all and everybody was quite laughing off the thought of them dating. Nobody could picture them out being together.
So here comes Guy #3: Calvin Harris. The story is that they met at the Brits (which is funny considering just the day before CH and his then gf were seen together in a beach) and talks were all over that they were pretty flirty and even made out at the after party. However, a photo of them surfaced where they were introduced by well no other than Tree, Taylor’s publicist so that’s what makes things suspicious. Reports say since then, Taylor and CH had been calling and texting and couldn’t get enough with each other. WOW that was fast considering in Taylor’s previous interviews she made it clear that she’d be very careful the next time she falls in love. I think Taylor and the rest of the world have different definition of CAREFUL.
Weeks later, they were spotted strolling around Nashville. When Taylor and Karlie were there we only had ONE blurry assed pic of them walking. People say the lack of photos was because Nashville is a pap-free exclusive place. But then when Taylor and CH were there we got THREE photos of them each in THREE DIFFERENT LOCATIONS hmmm…
Also, I don’t know if this is just coincidence but….
CH is taller than Taylor so is Karlie.
CH likes healthy food (Whole Foods precisely) so does Karlie.
CH had been to Nashville so was Karlie.
CH has modeled for an underwear line and so did Karlie.
CH wore matching outfit with Taylor so did Karlie so many times.
CH was papped leaving Taylor’s house oh god so was Karlie even fucking rumored living with Tay in her NYC apt.
CH held hands with Taylor after going to an event so did Karlie.
But what I think binds these three men? They all have accents. And Karlie? Yes she’s American but there is always talk about how her accent is so distinct and unfamiliar. Nobody can point it out but it surely isn’t the usual American accent.
Out of the 3 men, CH appeared to be the most effective. People were quick to speculate and ship them and that’s what fueled all of these. They saw it looks believable to people and so they continue because finally something or someone’s working out for their agenda and could perhaps finally solve their growing problem and help them with their damage control.
Guy #1: Matt Healy. It was well planned but didn’t work anyway cause yah know “the kaylor kiss” in their concert. Anyway, remember that pic of Matty in his concert wearing the 1989 shirt? Ever wonder who gave him that? Would it be believable to say Matty, with all his busy schedule and tours (and partying of course), would spare a minute of his time to think and bother himself to find a 1989 shirt? That’s bullshit, right? It must have been given by someone and perhaps he was asked to wear it in his show…you know just to make a buzz that him and Taylor were a thing. Now I cannot confirm tho if it was Taylor’s team but who else? And then a few days or week later Taylor went to his show in LA and wore a 1975 shirt the morning after. Wasn’t that sound so well orchestrated? But like I’ve said it didn’t work cause they let Taylor bring Karlie at the NYC show of 1975 where they just showed off the gayest “BFFs” interaction ever documented.
Guy #2: Hozier. They were already so desperate this time to make a damage control after the 1975 concert and the kissing and dating rumors swirling around. After the VSFS2014, Taylor and Hozier were spotted going to a club in LA twice! But that too didn’t work because let’s be real there’s no chemistry between him and Taylor. Zero sexual tension at all and everybody was quite laughing off the thought of them dating. Nobody could picture them out being together.
So here comes Guy #3: Calvin Harris. The story is that they met at the Brits (which is funny considering just the day before CH and his then gf were seen together in a beach) and talks were all over that they were pretty flirty and even made out at the after party. However, a photo of them surfaced where they were introduced by well no other than Tree, Taylor’s publicist so that’s what makes things suspicious. Reports say since then, Taylor and CH had been calling and texting and couldn’t get enough with each other. WOW that was fast considering in Taylor’s previous interviews she made it clear that she’d be very careful the next time she falls in love. I think Taylor and the rest of the world have different definition of CAREFUL.
Weeks later, they were spotted strolling around Nashville. When Taylor and Karlie were there we only had ONE blurry assed pic of them walking. People say the lack of photos was because Nashville is a pap-free exclusive place. But then when Taylor and CH were there we got THREE photos of them each in THREE DIFFERENT LOCATIONS hmmm…
Also, I don’t know if this is just coincidence but….
CH is taller than Taylor so is Karlie.
CH likes healthy food (Whole Foods precisely) so does Karlie.
CH had been to Nashville so was Karlie.
CH has modeled for an underwear line and so did Karlie.
CH wore matching outfit with Taylor so did Karlie so many times.
CH was papped leaving Taylor’s house oh god so was Karlie even fucking rumored living with Tay in her NYC apt.
CH held hands with Taylor after going to an event so did Karlie.
But what I think binds these three men? They all have accents. And Karlie? Yes she’s American but there is always talk about how her accent is so distinct and unfamiliar. Nobody can point it out but it surely isn’t the usual American accent.
Out of the 3 men, CH appeared to be the most effective. People were quick to speculate and ship them and that’s what fueled all of these. They saw it looks believable to people and so they continue because finally something or someone’s working out for their agenda and could perhaps finally solve their growing problem and help them with their damage control.
Guy #1
Guy #2
#3 ясен
Добре, че не вкараха Андрю в схемата. 
И се надявам да остане извън всякакви пиар схеми, за да може да продължава да твори. Макар че сега му е жътвата, снимали са го за Вог в някаква хипарско-бохемска фотосесия 
, за която са му изправили косата. 
Дано не го превърнат в кифляк.
Много съм загрижена за това момче, ей!
Прочетох анализа на Out of the woods и ми падна шапчицата. Респект!
И се надявам да остане извън всякакви пиар схеми, за да може да продължава да твори. Макар че сега му е жътвата, снимали са го за Вог в някаква хипарско-бохемска фотосесия , за която са му изправили косата. Дано не го превърнат в кифляк.Много съм загрижена за това момче, ей!
Прочетох анализа на Out of the woods и ми падна шапчицата. Респект!