1001 НОЩ - Binbir Gece/🌷ХАЛИТ🌷БЕРГЮЗАР🌷 НОВИ ПРОЕКТИ - ТЕМА 263

един забавен и позитивен филм ще ви препоръчам. Ако не сте го гледали, разбира се.
Аз нали сега имам какво да гледам, ама вие може да нямате Шегичка, естествено, но- днес докато търсех едни неща в Youtube, ми попадна водещата песен от един много готин сръбски филм- "Зона Замфирова". Предполагам, че сте го гледали- от 2002  е, но ако не сте и искате да се разтоварите- препоръчвам го Не съм го търсила отдавна, но сигурно го има по тракерите и онлайн. Краят на 19 век, Ниш ... и ще разберете темата от музикалния клип, който ще ви пусна ей сегичка А тези, които го знаят- ще си го припомнят с усмивка. А и нали краят на вечерта беше на сватбарска  тема Е,  в  "Зона Замфирова" докато стигнат до сватба, ще видят малко зор, ама накрая- хепиенд    Ей го на и клипът-

English   
Halit Ergenç: We live a 'degree' in Istanbul, it is impossible to live it all .  "I am always thankful, so this is my job ..." Director Ferzan Ozpetek 's latest film Halit Ergenç , who plays the lead role of Istanbul Kırmızısı , says: "We all live in Istanbul a degree, I say 'a degree' because it is impossible to live the whole of Istanbul. But also in terms of the work done ... Therefore, a city that can really see a part of a person who lives in. You will know Istanbul where he feels in the eyes of Ferzan in Istanbul Red. " 
Ferzan Özpetek: We recorded the voices; The city you see in Istanbul Kırmızısı will not be in a while! Ergenç says, "I now get acting, and I get some of the experiences many people will have in a single life." This is an incredible wealth, I am always thankful, I am happy that I am in this profession and I love my work very much. "
The Red Kırmızısı, which is based on the the novel by Ferzan Özpetek , will enter to the theaters on 3 March.
R -Filming lasted 2 months.
HE - Yeah, it lasted about two months.
R - It's left behind for you, is not it?
HE - It's too far behind, I will have to remember some things.
R - Get back to you with flashbacks.
HE-What is the speed situation for FERZAN, I do not know how long it worked, but 2 months is normal.
R - You are in the leading role in the poster, but is there actually Istanbul?
HE - Ferzan has the leading role.
R - So...
HE -Ferzan has something very interesting in this scenario. The scenario is different  ... Each unit has its own direction in the character that it plays.  he did set a direction, he made a living in a character. So it is actually Ferzan in the lead. 
R - Then Istanbul and then you ...
HE - No, I'm one of those characters who revive those characters. There are also Nejat, Mehmet and Tuba. Therefore, there is a side to Ferzan.
R - Already in an interview in Italy, Ferzan Özpetek said, "Director, ex-girlfriend, young girl, writer ... I am all."
HE - Did he say that?
R - Yes, he even said "I am " for Orhan character, which he does not even have in the book, he adds to the script. 
HE - In fact, Ferzan looks at all the events from outside the character I play with Orhan ... He is not in the story, there is no such a character in the book. When all the events happen, there is a situation where he observes and builds a new life for himself. This is Ferzan, of course.
R - In this case, how much of you Ferzan Özpetek fell?
HE - The character I am playing is a character created by Ferzan. So I have to ask; Yeah ... I think Orhan looks at the events he's been experiencing from the outside and reasoned ... There's something about this character. .  " It is understood that Özpetek locked his novel in the drawer and filmed the film. Adapting to the Romans is hard work. I liked some of the samples in world cinema very much. Some have not even come close to him ... Ferzan wrote the novel here, and the screenplay belongs to Ferzan, as well as the shooting. This is not actually the book's film. I mean, here is an event happening here, we are telling this. You are also in a region of this case at that time, and you have lived in a certain way, but from another point of view ... It also goes in the same place, yeah. But there is another way. 
R - Ferzan Özpetek seems to be rediscovering Istanbul with popular actors in the world like you in the film. What's more, we want to do the same thing in this city while we live in it ...
HE -Yes, yes, a little bit like that. We all live in Istanbul a degree. I say "a degree" because it is impossible to live the whole of Istanbul. Istanbul is a very large city, both in terms of its borders, both culturally and in terms of work done. Therefore, it is a city where only a part of a person living in it can truly be seen. It is not possible for you to understand it all, to live it. Yes, you will know Istanbul where Ferzan feels in the eyes of Ferzan.
R - What did you discover about Istanbul when you were filming?
HE - I discovered that. Every morning we were shooting at a barn very early. I have never been in such a mansion so early in my life. I'm talking about 6:00 a.m. I saw Istanbul's relationship with the sea at that hour. It's really interesting. I have always been close, I said, "The sea is passing through the middle of Istanbul, an incredible sight, an incredible convenience. I need to use more and live. " For the first time in my life, I have faced it. Because at 06.00 in the morning people are hunting fish with their tiny motorized boats, there is no one in the Bosphorus. Like all Istanbul, the Bosphorus is silent. Like sea sheets, they row under the second bridge. There is nothing in the Bosphorus that we see chaotic during the day, and people live in the sea. I understood that we lived in Istanbul, in a city by the sea. Because it is possible ... There are no big yachts, no chunks, no need for that or a thousand comforts. If you have a place and a place to connect, Istanbul is another Istanbul. I saw this. 
R - Does the truth change when you discover something? .
HE - Change, change. Because when you rediscover something, if you realize that you are not what you thought it is, the truth is already changing. Actually life is changing. It's very true what you said. Your preferences may change as the fact changes, and you can change as well. There is a cliché: "Change your angle of view." That's very true. . You can not see anything. . You can see other things when you look away from my hand and look from the other side. Most of the time we can not see what we really are in the midst of chaos, and because we can not see, we can not solve some things. Different perspectives, seeing Istanbul from another place, worked here.
R - Is there anything that changed your mind about dating when you filmed this movie?
HE  -I worked in a very slow and disciplined manner with staging and character. After a long time, you start to get to know better than the character director and the writer. And you are actually starting to give direction to the character.
R - This gives the reins more to your hand.
HE - In this film, I started to think that Ferzan is a spontaneous and momentary director who is spontaneously recalling, "What is new to him and then. Settle discovered some things with Ferzan. He came to me very well.
R - What has changed about the old one?
HE - For many years I have become accustomed to a different style of work in order. The work and the life brought the look.
R - Was it pleasant?
HE -It was very enjoyable to work with Ferzan.
R - Italian journalist Valerio Cappelli has a very good idea about you: "Almodovar-faced face." It's a big compliment. You are already working with big directors in Turkey and you are also accustomed to talking in their language. What do you imagine when you hear the recipe "Almodovar-variant"? 
HE - I want to keep doing my work. I learn something in every direction. I learned a lot from Ferzan too. I enjoy an incredible pleasure. I want to work with different people in different scenarios and bring  brand new characters to life. Because when I really play a character as an actor, I feel like: I have one life I do not know how long it will take. Normally I could have one job in this lifetime. And I could live that career and end my life. Therefore, there was an experience in relationships and in my work. Now, by acting, I get some of the experiences that many different people can win in a single life. It brings incredible wealth and incredible satisfaction. I also had the chance to create a character from scratch, I also animated the existing characters. Or characters who have lived in history ... This gives people incredible knowledge and incredible experience. It is really a great adventure to do this ... I am always thankful, good job and I love my job very much. So "I want to work with it, I want to shoot this movie" I can not say. I have HEsome directors I want. But I leave it to the flow of life, it will be somehow. Because I love it very much. There's a balance in one place of your life. 
R - You are a star player in the Middle East, the Balkans, South America, and abroad. Istanbul Kırmızısı was also introduced in Europe as a Ferzan Özpetek film. Italian critics praise you. Could it open a door in terms of world cinema?
HE -I hope ... I want to be able to do business in another country in a culture that I am not born with, born out of. I hope this opens the way, we will see. The success of the business depends on the quality of the work we do, the quality of my workmanship. I hope there is a response.
R - Tonight Oscars will find their owners. Your favorites?
HE - I did not even finish Oscar movies. What have I seen: Nocturnal Animals I guess this is not a candidate for Oscar. What is nominated for Oscar?
R - La La Land, Moonlight ...
HE -La La Land is here, I saw it. Lion and Manchesterby the Sea came but I could not watch it. Some of them have not come.
R - What brings you to 14 candidates?
HE -La La Land's thing is to send old and big musicals. Special because it reminds me of how big is the distance between what we do and what we feel. We can still live these feelings. But I do not think that's especially true in America. . because they are feeling the lack of emotional bond ... A beautiful musical. It has not been done for a very long time.